The Rise of Public Diplomacy 2.0


http://www.securityaffairs.org/issues/2009/17/graffy.php

The Rise of Public Diplomacy 2.0

Colleen Graffy

Back in December 2006, Time magazine did something gutsy. It announced that its vaunted “Person of the Year” was not a politician, personality, or pundit but… you. The cover of the magazine was an iMac with a mirrored strip reflecting the reader as a representative of the millions who make up the grand social experiment that is user-generated content for Facebook, blogging, Twitter, MySpace, YouTube, Wikipedia and more. Although it faced ridicule at the time, the decision now seems prescient. 

Silicon Valley consultants refer to this new revolution as “ Web 2.0 ”—as if the World Wide Web had just downloaded a new software update. The result is an interactive version of the Internet whereby the user is no longer a passive receiver of information but a provider of content and comment in addition to consumption. Time’s Lev Grossman described the new phenomenon as “an opportunity to build a new kind of international understanding, not politician to politician, great man to great man, but citizen to citizen, person to person.”[1] 

Public diplomacy is the art of communicating a country’s policies, values and culture to the people of another nation. “Public Diplomacy 2.0” is the art of using this new Internet phenomenon in order to achieve those objectives—“citizen to citizen, person to person”—and more

The “more” is that PD 2.0 requires a new approach by the State Department, and a new type of Foreign Service officer. It requires a dismantling of the institutional cultural barriers between the policy officers and the public diplomacy officers that prevent the State Department from engaging in successful public diplomacy. To a certain extent, but by no means exclusively, this approach is being embraced by mid-level PD officers and below who have grown up with little or no knowledge of the United States Information Agency (USIA), its legendary head, Charlie Wick, or the divisive 1999 corporate merger when U.S.IA was dissolved into the State Department—a merger that didn’t take. The new PD officers are respectful of the admirable work done by their forebearers at U.S.IA but also recognize that new challenges require new approaches and that what worked during the Cold War heyday of U.S.IA doesn’t necessarily work now. In many ways, the rise of Public Diplomacy 2.0 means the demise of U.S.IA 1.0. It means finally moving from a nostalgic longing for a recreation of the old U.S.IA to its reincarnation in a new-look State Department where policy and public diplomacy are merged and the use of new technology second nature. 

From closed system to open system 

The challenge during the Cold War era was to find ways of getting information from the outside world into a closed system. The Public Affairs Officer, or “PAO,” was a key—and sometimes the only—voice to communicate directly with audiences about the U.S., while the diplomats were busy behind closed doors and out of public view. PAOs had a strong esprit de corps with others in the PD “cone” (the term used to describe the division through which one enters and progresses at the State Department) and served in U.S.IA, a separate, semi-independent body which was the public diplomacy arm of the State Department. 

With the fall of the Berlin Wall, the collapse of European state Communism, the end of the Cold War and the proliferation of democracies, a new challenge arose. No longer was the principal task getting information into a closed system, but rather effectively competing in an open one. The informative engagement by the PAO about American elections and cultural themes remained (and remains) important, but the ever increasing demand was for someone to respond (quickly) in explaining U.S. foreign policy and to do so in the arena where people were now getting their information: the broadcast media. While many embassies continued to churn out press releases and host off-the-record, print-focused roundtables on U.S. foreign policy, audiences were increasingly shaping their views from television and radio. 

The changing shape of media required more engagement, not less. Yet the default position at embassies remained to say as little as possible, or to do so off the record and in print. Although print still remains important, as does radio, particularly in certain parts of the world, its impact for the person on the street is less powerful than the visual impact of television. The reason for this reluctance toward media engagement was simple: all bureaucracies—and the State Department is no exception—tend to be risk averse. Put your head down and you advance; get out there in the media and slip up, and your career is over. Why take that chance? Especially since going on the media, with a few exceptions, is not part of one’s job description at the State Department. 

Karen Hughes, who served as Under Secretary of State for Public Diplomacy and Public Affairs during the Bush administration, understood the importance of empowering embassy personnel—from ambassadors on down—to get out on the broadcast media. She did so by issuing “Rules of the Road” which eliminated the need for diplomatic personnel to secure clearance for appearing on in-country media. She encouraged engagement with the media and, importantly, she supported those who went out and got sucked into the undertow of media-gone-wrong—an unavoidable consequence for anyone in the spotlight. These steps reflected a basic understanding: without backing from leadership at the top for those who brave the media, State Department officials will shy away from it. 

Despite establishing the “Rules of the Road” clearance procedures, there was no pressure to make media engagement a priority. All that changed with the development of “media hubs” in Brussels, Dubai and London, which helped to generate and facilitate media appearances by senior U.S. government officials. The European and Eurasian Bureau (EUR), under the wise counsel of the first Senior Advisor for the Media Hubs, Adam (now Ambassador) Ereli, created a “Media Matrix” which tracked who was going out on television, where and on what topic. This single-handedly changed the off-the-record default position: When the monthly chart came out showing, for example, that the consul general in Florence was doing more media than the ambassador to Spain, or that the ambassador to the Court of St. James’s (UK) was more engaged than the ambassador to Italy, suddenly television interviews began to be put on the schedule. 

Although the EUR media matrix tracked quantity, not quality, it showed a more than 30 percent increase in the media appearances of U.S. public officials overseas. The quality element was addressed by media training through EUR’s Brussels Media Hub, which sent experts out to train any and all embassy personnel who, due to portfolio or talent, were likely to engage the media. 

The new Brussels Media Hub has created a sea change in U.S. public diplomacy efforts. It has its own television and radio broadcasting facilities, enabling America to get inside the European media cycle and to tap the myriad U.S. diplomats who come through Brussels with their messages about various aspects of administration policy. Communicating is not limited to where the diplomat is physically; it can take place where the message is needed virtually. 

New tools for new times 

In addition to adjusting to the challenges of competing in an open system and the need for an increased U.S. presence on broadcast media, the State Department is learning to come to grips with the Internet. While Washington has a talented team working around the clock on the State Department website, the same is not the case out in the field. Many embassy websites are stale, boring and not mission focused. Embassies often do not think strategically or creatively in identifying what should be on their website and where material should be placed, for example, highlighting important information “above the fold” and having key links readily accessible. After the devastating earthquake in Pakistan, a survey of U.S. embassy websites in Muslim-majority or Muslim-significant countries showed that most had not put anything on their websites about the extensive U.S. aid relief to that country. 

To correct this deficiency, the EUR Bureau established a weekly internal, visually-driven e-newsletter in order to educate policymakers back in Washington as to what public diplomacy is and what it can do to deliver foreign policy results, and to inspire embassies by sharing creative programming ideas. A monthly external version was also established in order to inform the American public about the tremendous public diplomacy efforts U.S. embassies were engaged in on their behalf. These publications resulted in the launch of “visual communications” training, after the EUR Bureau realized that the quality of embassy images was seriously deficient in an image-driven world. Developing our own, open-source quality images is critical because State Department images tend to be Associated Press photos which are copyrighted and therefore unable to be shared via social media. Photo competitions, Photoshop, photography, and “Getting Visual” training has helped, as has the purchase of new equipment, but there is still a long way to go. 

Still, problems remain. A frequent refrain from embassies with lackluster websites is that the Internet is “not that big here” and “connectivity is low” in their country; hence they don’t want to invest time or resources into it. This represents a misunderstanding of the Internet and its importance. First, it is global, hence the name “World Wide Web.” Diasporas are on the Web and communicate with their family and friends back home. Second, even though Internet use may be low, who is using it? Generally it will be key influencers—media, politicians, NGOs, business persons, educators and youth, and they are worth reaching out to. Finally, Internet connectivity and usage will only grow, and in many embassies it will take years to ramp up the staff, know-how, equipment and funding to be ready. 

Some embassies have understood this, and are at the cutting edge of using the Internet as a multiplier of their public diplomacy. The U.S. Embassy in Rome, for example, has its own web broadcasting facilities, which enables them to not only get their speakers linked to numerous audiences but also to make the event available to others later via their website or in e-mail links. But this is the exception rather than the norm. Identifying ways to “push out” material onto the Internet is still absent in many overseas posts. This is a critical deficiency; we simply cannot assume, in this open, competitive system, that consumers are regularly checking a U.S. embassy website. 

Finally, it should not be overlooked that in numerous countries mobile phones and cell phone technology are as important, if not more important, than the Internet. Text messaging is cheaper and more prevalent in places with no or low BlackBerry connectivity or other mobile means to access e-mail. Many embassies are well aware of this, and use text distribution lists to contact journalists with breaking news or to notify them about an interview opportunity. Some of the more innovative PAOs have created networks by, for example, setting up subscriptions for English idioms-of-the-day as a way of creating a network of English-language-learners and potential new friends of the embassy. 

Interacting on the interactive Web 

The emergence of Web 2.0 and its interactive use created a new challenge for the State Department and public diplomacy: can diplomats blog? Twitter? Should comments be allowed? Should they be filtered? Who can engage? Where? For what purpose? 

One of the first forays into blogging by a senior U.S. government official was made by the State Department’s Legal Advisor, John Bellinger III, who served as a guest blogger on Opinio Juris, a blog site devoted to international law. Bellinger blogged for a week on different weighty issues, such as U.S. detainee policy and Guantánamo, and used the final day to respond to the comment thread following each post. The startling engagement at such a high level received both worldwide attention and admiration. 

Nine months after Bellinger’s blogging debut, “Dipnote” a State Department blog site, was launched. It allowed all State Department employees of all ranks to participate and encouraged conversation by welcoming comments, both negative and positive.[2] Under Secretary Hughes enabled the State Department to go out into the blogosphere to counter misinformation about the U.S. and U.S. foreign policy by establishing a Digital Outreach Team that could communicate in Arabic, Farsi, and Urdu. 

This author has been described as being “one of the first senior American diplomats to latch on to Twitter.”[3] The goal was to simultaneously communicate with two audiences—domestic and foreign—in order to help Americans understand what U.S. public diplomacy is all about, and to humanize the American diplomat as an avenue for dialogue with foreign audiences.[4] Tweets during trips to Iceland, Armenia, Moldova, Romania and Croatia were linked to video that was uploaded to YouTube and images that were posted on Flickr. Some criticized the venture due to the inclusion of personal observations and experiences,[5] but it was precisely those informal postings that helped create an informal, accessible relationship with the reader. Twitter became mainstream soon thereafter; Dipnote is now on Twitter, Facebook, and YouTube as well as many embassies, from London to Tirana. 

The “Twitter Revolution” which took place after the contested June election in Iran highlighted the role that these new social networking tools can play. Such was Twitter’s importance that the State Department asked them to postpone a system update that would have taken Twitter off the air at a critical time during the Iranian protests. After CNN was forced to leave the country, it was completely dependent upon “i-reporters”: the masses of Iranians willing to risk their lives in order to capture images and share their stories. Those activists did this for no reward except the knowledge that they were letting the outside world know what was going on—and hopefully, changing their own world at the same time. 

In a way, Time magazine’s Grossman foresaw the events in Iran when he wrote about the impact of Web 2.0 in empowering the individual: “It’s about the many wresting power from the few and helping one another for nothing and how that will not only change the world, but also change the way the world changes.”[6] 

Social networking tools are multiplying the outreach capabilities of embassies in a way that was never possible when engagement was only face-to-face. It is likely that movement away from a focus on libraries, print journals, information centers and face-to-face meetings will be anathema to senior and retired members of the Foreign Service, but it is the reality of how communications have changed. This does not negate the need for a physical presence and personal contact but it does underline the need for embassies to learn how to develop and maintain and staff up for virtual relationships. 

Social networking tools also resolve a lot of public diplomacy challenges in the field. They allow public affairs staff to engage with masses of individuals without the need for members of the public to travel to our now often isolated and distant embassies and go through off-putting security controls. Embassies find that social networking tools enable them to post their own materials more quickly and efficiently on sites such as Facebook than waiting for management to upload them to the official embassy website. 

Other innovations are also afoot. During his tenure, Hughes’ successor as under secretary, Jim Glassman, used Public Diplomacy 2.0 as a means of countering extremism by bringing together organizations from various countries and partnering them with Google, MTV, Howcast.com, Facebook and others to build an Alliance for Youth Movements. In the same vein, the Education and Cultural Affairs Bureau’s State Alumni Networking site and ExchangesConnect on the Ning platform are each excellent developments in their own right, as is Co.Nx, the new video link product of the Bureau of International Information Programs, which is helping to create wider linkage for video webchats. The recently arrived Under Secretary for Public Diplomacy, Judith McHale, has signaled her desire to keep and develop these new media tools while not abandoning traditional outreach. And a new position, that of senior advisor on innovation, was created by Secretary of State Hillary Clinton in order to further blend diplomacy and technology. 

Merging policy and public diplomacy 

As wonderful as these new social networking tools may be, Public Diplomacy 2.0 must also include a new attitude toward who engages in it. On October 1, 1999, at the event marking U.S.IA’s formal merger with the State Department, then-Secretary of State Madeleine Albright declared: “In our era public diplomacy is not simply nice to have. It must be a core element in our foreign policy.”[7] 

Many believe that “centralizing” public diplomacy under the department run by the Under Secretary of Public Diplomacy (known as the “R Bureau”) and gathering all of the public diplomacy officers “back under one roof” (a.k.a. the U.S.IA model) is the structure that will enable public diplomacy to “be a core element in our foreign policy.” But this is the wrong approach. 

Public diplomacy cannot be a core element of foreign policy if they are seperated. Power at the State Department lies in the geographic bureaus where policy is formulated. PD officers gain from decentralization, not centralization. Embedded in the geographic bureaus and at the policy table, they are part of a new team whose members learn first-hand from the PD officer why they need to incorporate public diplomacy into their policy thinking. The esprit de corps that existed under U.S.IA exists again, but this time with PD officers who feel valued and empowered at the policy table, and connected to their PD colleagues. 

To that end, the Secretary of State should mandate that every geographic bureau have a Deputy Assistant Secretary for Public Diplomacy whose sole portfolio is public diplomacy. This individual should be dual-hatted to both the Under Secretary for Public Diplomacy and the Assistant Secretary for the relevant geographic bureau. Without such a “front-office” presence for public diplomacy in the policy world, public diplomacy will always be relegated to second-class status, no matter how strong the R Bureau may be. 

Similar to the power of Web 2.0 in empowering the many, not just the few, all Foreign Service officers, not just those in the PD cone, should be equipped to understand and engage in public diplomacy. Many PD experts point out “traditional diplomats don’t understand or appreciate what effective PD can achieve.” True. So why do we think that separating public diplomacy officers from traditional diplomats will help them to understand or appreciate PD better? The R Bureau and public diplomacy officers alone cannot achieve public diplomacy successes. It will take everyone. 

Public Diplomacy 2.0 should mark the end of the separation of policy and public diplomacy. The operative question today is not whether public diplomacy officers are contributing to policy, but whether policymakers are contributing to public diplomacy. 
----------------------------------------------------------------------------------- 

Colleen Graffy is Director of Global Programs and associate professor of international law at Pepperdine University, School of Law in London. She was the first Deputy Assistant Secretary of State for Public Diplomacy to be appointed to the U.S. Department of State and served in the Bureau of European and Eurasian Affairs.

The future of “Public Diplomacy 2.0”


http://neteffect.foreignpolicy.com/posts/2009/06/09/the_future_of_public_diplomacy_20

The future of “Public Diplomacy 2.0”

Posted By Evgeny Morozov Tuesday, June 9, 2009 - 1:19 PM

Watching American diplomats embrace new media for the purposes of public diplomacy has been a very awkward experience (not as painful as watching my 82-year-old grandpa learn how to use Skype, but at times it has come pretty close). By shifting their outreach campaigns to Facebook, Twitter, and blogs, the government may be trying to do the impossible, i.e. to plant carefully worded and controlled messages on platforms that sprang up precisely to avoid the kind of influence that the State Department seeks to exert via them. 



The government's grand strategic objective—at least as outlined by Judith McHale, the newly appointed Under Secretary of State for Public Diplomacy and Public Affairs in her confirmation hearings last month– is to “create an institutional framework that can take full advantage of new media, with an understanding that these tools must be carefully tailored to particular circumstances and always used in the service of a larger strategy” - is vague enough to allow some maneuvers. However, overall, I have my doubts that the American bureaucracy with its infinite levels of communication and gatekeeping would be able to come up with “an institutional framework” for the anti-institutional platforms they seek to embrace. 



In the last few weeks, debates over the future direction of these new Internet-based initiatives have intensified, with several new reports and articles on the future of “public diplomacy 2.0” (also known as “e-diplomacy”, “Facebook diplomacy” and several other terms). Two key pieces of recent writing are especially worth looking at: one is a Politico op-ed by Micah Sifry and Andrew Rasej on the rise of the e-diplomacy (itself, a reiteration of Sifry's earlier post on Personal Democracy Forum) and another one is a report called “U.S. Public Diplomacy: Key Features for the Congressional Oversight” from the US Government Accountability Office published in late May, which featured a short section on “public diplomacy 2.0” [link in PDF] 



While the Politico op-ed paints quite a rosy picture of the various “public diplomacy 2.0” initiatives that are already underway and extols the enthusiasm of Alec Ross (Clinton's senior innovation advisor), the GAO report is notable for its more critical attitude and a sense of urgency that I think is missing from the Politico piece. In particular, it notes that “current information suggests a failure to adapt in this dynamic communications environment could significantly raise the risk that U.S. public diplomacy efforts could become increasingly irrelevant, particularly among younger audiences that represent a key focus of U.S. strategic communication efforts”. Essentially, I think that both of them overemphasize the use of new media for growing the supply side without giving almost any consideration to its possible impact on the demand site, where, I think, the real focus should be. 



Is “Public Diplomacy 2.0” a new form of spam? 



In my opinion, relying on Facebook and Twitter could be effective only if public diplomacy is seen as some kind of a brand war. James Glassman, McHale's predecessor at the State Department who is responsible for articulating the very concept of Public Diplomacy 2.0, seems to have a very strong view on the matter: he thinks it might be easier to destroy an enemy's brand– e.g. Al Qaeda's – than to create a successful American brand. This is an intriguing take on public diplomacy – note how closely it resembles the adage of “you don't have to be faster than the bear, you just have to be faster than the other guy”. Yet there are good reasons to be worried about the viability of this approach in the long run: while we may be busy trying to run ahead of Al Qaeda's brand, someone else's brand might pop up in the top charts of the global ideas. 



However, I believe that whether one uploads press-releases from the State Department to one or twenty social networks is hardly going to have any influence on the situation. You don't win a war of ideas by growing the number of new media staff who sit by their computers and, much like robots, respond to every online thread that mentions US foreign policy with an official position of the State Department, which is, in fact, what the State Department's Digital Outreach Team has been doing (and the number of languages they do it in is growing). The reality is that the governments in Russia and China, to name only a few , have outreach teams of their own, and are pouring money into their own online image-shaping campaigns, both globally and locally, in order to sustain the dedicated teams of online commentators who help shape the public perception of their policies. Now, this is not a battle of ideas; this is a battle of PR agencies, where Americans also have a “decency handicap”: members of the Digital Outreach Team are required to state who they work for while most of the Chinese and Russian comments are unsigned and, thus, probably a tad more believable. 



Glassman et all appear not to grasp the fact that it's not the greater appeal of the Al-Qaeda brand but rather a very poor appeal of America's own brand that leaves many undecided moderates few alternatives but to hate America. From this perspective, crushing the enemy's brand would hardly be helpful, for the number of enemies – who are increasingly very nimble, decentralized, and as loud, if not louder, than the US government – is almost infinite. Thus, we cannot expect to outdo them based on the number of messages we post to various social networks; at some point in time, those messages would be written off as a new form of geopolitical spam. If the “public diplomacy 2.0” approach only presents us with options whether to hire 5 or 10 staffers to tweet about Hillary Clinton's travel plans (do you know any undecided Iranians or Chinese who would be swayed by this knowledge?), I think the world could survive the information vacuum even if they do not hire any. 



So far, new media has been deployed to help create supply of American ideas on the Internet, on the assumption that improving global access to unfiltered and carefully crafted American positions would help dispel some of the myths about the country and its policies (i.e. the real assumption is: if only they had the means to learn more about us, they would be on our side). However, I think this approach is wrong-headed simply because it obfuscates the real problem, which is the lack of demand for these ideas in the first place, especially after the Iraq debacle. One of the goals of Public Diplomacy 2.0 should then be to create and then augment this demand rather than to infinitely grow the supply side of the equation. This over-reliance on the supply side is what has often plagued Washington's thinking about democracy promotion: let's just keep talking about democracy – throwing in elections here and there – and people will eventually want it. Well, the point is, if you really want democracy to succeed, you have to make people want it first. 



What the State Department and a host of other government agencies involved in public various diplomacy 2.0 initiatives have not mastered yet is using new media to create demand for American ideas and brands. If you look at the phrasing of the new GOA report, it's all about taking advantage of “dynamic shifts in how target audiences obtain and use information”. Well, this is certainly true: there are many more channels in which to reach the global audience, but this doesn't really matter until the US has something substantial to say. Isn't there more to Public Diplomacy 2.0 initiatives than merely following the latest new media fad and adding yet another platform to the communications matrix? What we need to understand is that many foreigners refuse to buy brand Americanna not because they don't know about it but because they think it's empty. Under this scenario, as any seasoned marketer would tell you, it doesn't really matter how intensively you bombard these people with “pointless little messages”; you have to start putting in some real work or your spamming campaigns are only going to annoy everyone who sees them. 



From student exchanges to file exchanges



What could some of this real work involve? I think that most policy-makers agree that there is no better cultural export product in America than education. The most radicalized Islamists may hate the lifestyle that comes with attending American colleges, but few of them would challenge that Harvard, Yale, Stanford, or Princeton are still one of the best universities in the world. As far as I am concerned, education (and innovation that comes with it) should be at the forefront of any American cultural export strategy. 



In a perfect world, we would be able to transport the entire population of Saudi Arabia and Pakistan to New England, have them spend four years reading Thoreau, and then go back and mediate on the nature of civil disobedience. I am sorry to break the news, but this is not going to happen for logistical reasons. Exchanges could be useful but they can hardly be scaled to a level where we would expose the majority of a country's population to America. Another strategic disadvantage is that, in many cases, it's the offspring of the already rich and pro-Western families who get to participate in them (especially since the knowledge of English is often a prerequisite). 



However, people who sign up for Al Qaeda and then blow themselves up do not usually come from such privileged backgrounds; most of them are not targeted by the current cultural and educational programs of the US government. We need to figure out how to make the exchange system work for them too. But this could be done via what I call a “file exchange” program that could complement the more traditional student exchange programs. Thanks to the Internet, the growing bandwidth capacity, and the ubiquity of mobile devices, exchanges may soon lose their dominant status to more decentralized ways of learning while still doing it “the American way”. Some of these new learning opportunities are already available on the Internet, in the form of full video and audio sessions of numerous undergraduate and graduate courses held at the top American universities. A list compiled by OpenCulture, an excellent blog tracking the recent additions to the vast body of free educational and cultural resources on the Web, lists at least 200 of them. 



Personally, I'm a big fan of the Open Yale Courses; currently, its web-site has full videos of a few dozen courses, ranging from political theory to astronomy to American history, available for anyone to download and watch in the comfort of their home. I've looked at what it has cost Yale to produce these courses; their original grant application to the Hewlett Foundation [PDF]-which provided the seed money for the project – puts the total at $750,000 for 7 courses. This makes it about $100+k per course. 



Is it expensive? I'd say no, given how much money is being spent on other new media initiatives with much less obvious payoffs. Look at X-Life, a new cellphone game which is supposed to educate anyone playing it about American life and learning (here's a snippet from its plot: you are playing Salah Molaveni, a Middle Easterner on an international exchange program in America, who needs to “maneuver around the University, learning about the local culture, in order to take on trivia challenges, complete quests, and modify a project car to road-race against a bullying school tyrant called The Zephyr”). Well, why create this surreal virtual experience if we can easily let foreigners peep into the actual American study halls? 



The State Department has invested more than $400,000 in the company that produces the X-Life game. While the jury is still out on whether the game would be a success, personally, I'd rather see four more Yale courses produced with this money. And one more useful stat: the annual budget of the Broadcasting Board of Governors – the heir to the US Information Agency – is $682 million. If at least one percent of this budget were to spent on initiatives like Yale's, we could now be enjoying around 70 (and probably many more thanks to the economies of scale) new courses, which, unlike much of the TV and radio reports, could be used anywhere, anytime and have an infinite shelf life. 



It's easy to be skeptical about the appeal or the popularity of these courses. But look at the vast piracy markets out there; check out any BitTorrent site for the kinds of lectures that are being swapped around (check Demonoid, for example). You'll be surprised: video courses produced by American universities and available online FOR FREE are being exchanged via BitTorrent and other legal and not-so-legal file-sharing sites. If people are ready to pirate content that is already widely available at no cost, this is a sure sign that the demand is quite strong. 

 

So why not simply spend all this money putting more of such courses and putting them online? Cover as many disciplines as possible – do not just go for the low-hanging political fruit like the History of the Cold War or the US Foreign Policy in the Middle East; if you really want people to be thankful and treat you seriously, produce courses on topics as far removed from the US foreign policy as possible. The more practical knowledge you could cram into them, the better; look at the success of Stanford's course on developing applications for the iPhone – with more than one million downloads, it's one of the most popular online courses in history. Teach people how to make a living, and their loyalty is practically guaranteed. 



I'd go even one step further: why not pour money into creating an international community of people around this academic content and then involve them into producing subtitles for the courses, thus making them available even to those who do not speak English? I've visited enough poor countries that know that there will be plenty of intellectually curious youngsters who could only dream of watching lectures by faculty from Harvard or Yale in their own languages. The success of the TED Conference's translation project – with roughly 1,000 translators signing up to translate their vast repository of talks in a very short period of time – is yet another proof that this could be done. 



From content production to content aggregation 



There are also excellent resources tracking this wealth of online educational content. The OpenCulture blog mentioned above is probably one of the best resources at the moment, but there is enough space for a dozen other niche players. Why not invest more money in building such aggregators? Aggregating content – as opposed to producing it – is much less political and, thus, much easier to sell to those who need to keep track of what's happening. Let's face it: even the most radicalized America-hating Islamists use Google, because Google provides a useful and apolitical service. At the same time, I doubt that they are big fans of Alhurra: while Alhurra's service may also be useful (that's a big “may be” given the latest reports in ProPublica), for most Middle Easterners - moderates included - it's way too political to be taken seriously. 



What's the lesson for the State Department here? Quite simple: if they want to curry favor with the extremists, the undecided moderates and everyone else on the Internet, they should simply fund more useful AND apolitical services and be modest in their rampant publicity campaigns to extol these investments. From this perspective, the utterly apolitical creature that today's Internet is probably makes for the only DoD invention that is widely used by America's enemies despite its rather dubious (read: DoD) origins. 



Broadly speaking, this means that the future of Voice of America, Radio Free Europe/Radio Liberty, and other US-funded media ventures lies in providing services like content aggregation. In the long term, their only shot at staying relevant is to figure out how to be the Google News of their region, helping to discover new and original content without producing any expensive content of their own. Their content, whether they like it or not, would always be perceived as American propaganda and thus rarely taken seriously. I suspect that everyone in the State Department knows that this is a legacy of the past: it may have been a fine option during the Cold War, where the US either produced content that was perceived as propaganda or it left the citizens of the USSR and the satellites to consume the content that was “made in Kremlin”. This world no longer exists: there is more content and opinion out there that anyone has time to consume. 



Our extremely saturated new media environment makes the US-funded media sources look even less appealing, especially if compared to hundreds of other (much less expensive) sources. Aggregation (and, possibly, even curation) is the only activity where these media could add value; they should get out of other business lines as fast as we can. The huge savings that would occur from this transfiguration–Voice of America alone has a budget of roughly $188 million – could be put to good use by subsidizing the production of high-quality original reporting in the local languages by independent newspapers, magazines, and TV stations; many key players in this field have been cultivated by players like USAID and Internews and are well-known to the State Department. While many viewers and listeners have concerns about the objectivity of Alhurra or even RFE/RL, considerably fewer of them have reservations about the objectivity of some Russian, Egyptian, or Kyrgyz radio or TV station simply because some of its promising young journalists got to spend 9 months as fellows at American college (even if their entire fellowships were paid by the US government). 



Embracing the Google Diplomacy 



I think that most technology-driven public diplomacy initiatives have so far suffered from the lack of imagination about the role that technology could actually play in the process. So far, technology has been mostly used as a tool, but it could also be used – and, perhaps, in much more powerful ways, as a set of ideas about America. Arguably, the greatest gift that America has bestowed to this world in the last decade has been Google, a powerful search-engine that is as useful in Brazil as it is in Armenia. It's easy to hate American companies like Coca Cola, often associated with the endless expansion of American businesses and the overall Americanization of the world. In contrast, it's much harder to hate companies like Google, which do not claim to make our lives better, they simply do it very quietly, but we all take notice. Even despite several rows over free speech, Google still maintains a much more coherent position on the issue than most of the previous US administrations, who have often closed their eyes to media intimidation in friendly regimes like Egypt or Azerbaijan. Even corporate social responsibility efforts like Google.org – even in their present scaled-down version—look much more genuine and sincere than Coca Cola's. 



In the past, part of the US public diplomacy effort was to mitigate the public damage created by the activities of Coca-Cola or Exxon Mobile or MacDonald's; today, the situation is much different – there are many opportunities to be ripped from the global presence (and usefulness) of tech companies like Google or Yahoo. Doesn't the incredible success of Google say something about the American dream – as foreigners could envision it – that two graduate students at one of the finest American research institutions could change the world by working out of a basement on their graduate thesis? 



We hardly recognize this but Google has already done more to make America popular in the world than the State Department ever could accomplish on Twitter. Whatever framework the State Department adopts to executive their new public diplomacy initiatives, it has to make space for completely unexplored diplomatic treasures like Google. As things stand now, the US governments, unfortunately, seems to have neither the tools nor the ambitions to figure out how to capitalize on these less conventional assets... 

 

Photo by Micky/Flickr

The Arab League of Hip Hop


http://mideast.foreignpolicy.com/posts/2010/05/03/the_arab_league_of_hip_hop

The Arab League of Hip Hop

Posted By Joshua Asen Monday, May 3, 2010 - 3:43 PM

As the Arab League weighs in on the value of restarting negotiations between Israel and the Palestinians, another Arab League has formed and is poised to win more support, overseas and in the Middle East, than George Mitchell could ever dream of. I am speaking of the so-called Arab League* of Hip Hop, a conglomeration of rappers from across the Middle East, Europe, and the United States, who have joined forces to spread their message and their music to audiences worldwide. While Hamas security forces were shutting down the first hip- hop concert in Gaza, the leaders of the Arab hip-hop movement, namely Shadia Mansour**, the group DAM, ***Lowkey, and ****The Narcicyst, were preparing for their first performance together, a historic event which would solidify not only their union, but their supremacy as the voice of the Arab hip-hop revolution

The growing political potency of Arab hip-hop has drawn the attention of the U.S. State Department
, which last month sent out Brooklyn-based hip-hop band Chen Lo and the Liberation Family on a tour of North Africa and the Middle East. The group traveled to Morocco, Tunisia, Algeria, Jordan, Lebanon, and Syria and performed with some of the best local groups, such as NORES in Salé, Murder Eyez in Aleppo, and DJ Lethal Skillz in Beirut. This was, by far, the most extensive and well-designed tour of its kind and showed a serious commitment by the State Department to expand its use of hip-hop as a "cultural diplomacy" tool, specifically in its inclusion of prominent local artists. However, the exclusion of the Palestinian territories and Gaza on the tour gave a strong impression that the State Department was playing it safe, while sacrificing its best opportunity for real impact. 

The show that was shut down by Hamas security forces at the end of last month showed that the new movement has plenty of opponents. As the B-Boy crew began its breakdance set, police burst in, shouting "The show is over!" A brave young dancer tried to explain to one of the policemen that, "Rap means: Respect for All People, but he didn't seem to be listening. He said it was an immoral dance." Officially, Hamas claims that the organizers did not obtain the necessary permits, but it was clear that the event, which took place in a conservative area, posed other issues. But to deny these youngsters, who have literally no other outlet from their barricaded environment, an opportunity to transcend their imprisonment through dance and music is simply cruel. Such cultural repression is hardly worthy of a so-called Islamic Resistance Movement. 

Another type of Palestinian resistance movement is taking place outside Gaza, far from the reach of Hamas. British/Palestinian rapper/singer Shadia Mansour recently came to New York to promote her new single, "Kofeyye Arabeyye/The Kufiya Is Arabic," a direct rebuttal to the creators of the "Israeli Keffiyeh," a Zionist variation on the Semitic scarf. The song, with a verse from pro-Palestinian American rapper M-1 (of Dead Prez), quickly became an underground sensation and earned not only a litany of criticism against the makers of the 'Israeli' version, but an outpouring of support for Palestine. Once again, hip-hop proves to be a powerful force shaping young hearts and minds, though it remains to be seen whether this debate will build bridges or generate more conflict across the Israeli-Palestinian divide. 

One thing is clear, however. Neither Hamas nor the U.S. State Department have the power to cut down or co-opt the sheer force of the Arab hip-hop artists who I saw on stage last weekend at a venue in Brooklyn. When DAM took the stage at Southpaw and called up their "Iraqi brothers," Narcicyst and Lowkey, and "the Queen of Arab Rap," the lovely Shadia Mansour, you'd have had to be across the river not to feel the rumbling of the floor as fans jumped up and down to welcome the artists to Brooklyn. And when they broke into their latest collaboration, the anthem "Long Live Palestine," and the 500-plus fans, adorned in black-and-white kufiyas and "Free Palestine" T-shirts, began pumping their fists and chanting along to every word in Arabic and in English, that's when it hit me that this new Arab League of Hip Hop all-stars has a very clear objective in mind and it's not just to endorse or reject negotiations with Israelis, or to criticize or valorize the actions of the U.S. government in their own backyards. Rather, their mission is to rally their own troops, the foot soldiers of their hip-hop revolution, the millions (yes, I said millions) of young fans, Arab and otherwise, across the globe, who follow not only their music but the messages contained within. This is their constituency, and it grows with every show, in every country that they are able to travel to, and with every new view of their Youtube channels, their Myspace pages, and their Twitter stream. And they don't need anyone's permission to do it except that of their fans, which, as I heard firsthand on Friday night, they have in spades. 

So, what can Hamas do to stop these Arab hip-hop revolutionaries from taking a stage? And what can the U.S. government do to get them to promote its foreign-policy agenda? The answer to both is: very little. Nevertheless, both groups would be wise to rethink their approach to hip-hop and find new ways to get behind it, as opposed to standing in front or alongside. Whoever gets there first may discover a powerful and natural ally, insofar as hip-hop embodies both the spirit of diplomacy and that of armed resistance

That said, watch the live performance of "Long Live Palestine" and read the lyrics. And remember, the battle for hearts and minds will be won with words, not weapons. 

Joshua Asen is co-creator of the Hip Hop Diplomacy Project and award-winning documentary film, I Love Hip Hop in Morocco.

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*The 'Arab League' also refers to the record label and management company created by Egyptian powerhouse, the Arabian Knightz, covering Cairo's top talent, including MC Amin, Wighit Nazar, and The PharoZ, as well as Saudi superstar Qusai, Palestinian-American producer FredWreck, and Shadia Mansour, not to mention recent collaborations with DAM and other Arab rappers across the region. My apologies to Rush and the homies out in Cairo, Jeddah, and LA. [This text was added on May 4, 2010.]

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http://en.wikipedia.org/wiki/Shadia_Mansour

**Shadia Mansour, also known as "The first lady of Arabic hip hop", is a British-born Palestinian singer and MC. Mansour started singing at the age of five, appearing on various Arabic, British, American TV and radio shows. Mansour has become one of the leading female Arab MCs worldwide. She has also been featured on tracks with “The X-Vandals”, DAM (band) - a Palestinian Rap group, Olkinary (French Rapper) and many more… Mansour has opened up for Busta Rhymes and Mobb Deep at the Palladium Club in New Rochelle, NY. Mansour toured the US and received a positive welcome in Chicago, Milwaukee, San Francisco and Los Angeles. Mansour also took part in the Annual Pre Black August Concert in NYC with DJ Johnny Juice (PUBLIC ENEMY).

Mansour went to the Netherlands to perform in a 4-city tour (all of which sold out) with an orchestra of 200 and a children’s choir of 50. She opened 2010's Annual Black August Benefit for Political Prisoners alongside major hip hop legends such as Q-Tip, EPMD, Bilal, Blackmoon, Smif N Wessun and Immortal Technique.

She also headlined the Arab World Fest in Milwaukee and was asked back to the Netherlands for a Gala Dinner event hosted by Music In Me the beginning of November 2010.

She toured the West Bank in the fall of 2010, performing in clubs in Bethlehem, Hebron and Ramallah, as well as meeting with schoolchildren and talking to them about the need to respond peacefully to injustice.

Mansour describes her music as politically motivated by her family's activism, but promoting a non-violent response to the hostility that exists between Palestinians and Israelis.She is also featured in the A-Alikes documentary, entitled “Ballot or the Bullet”.

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http://en.wikipedia.org/wiki/The_Narcicyst

***Lowkey (born Kareem Dennis, 23 May 1986[1]) is a British musician, poet, playwright and political activist of English and Iraqi descent.[2] He first came to fame through a series of mixtapes he released before he was 18,[3] before taking a hiatus from the music business. He would return in 2008 with wider music coverage, featured on BBC Radio[4][5] and appearing at various festivals and concerts including the Electric Proms,[6] Glastonbury, T In The Park and Oxygen[7] in the build up to his first solo album, as well as collaborating with other famous British musicians to form a supergroup.[8]

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http://en.wikipedia.org/wiki/The_Narcicyst

****Yassin Alsalman, better known by his stage name The Narcicyst (or Narcy), is an Iraqi hip hop performer[1][2]. Originating from Basra, he was born and raised in Dubai.[2] Now living in Montreal, Canada,[3] he has experienced both the Western world and the Arab world. He was frontman to hip hop band Euphrates but is now going solo after the loss of one of the band members.

Rapping in both Iraqi Arabic and English, his complex lyrics address some of the most politically charged issues of our time, including the 9/11 attacks, the invasion of Iraq, Islamophobia and the Israeli occupation of Palestine. He has also done shows in Spain, United States, Canada and the Middle East. One of his songs, "Commodore 64", was a club hit on the East Coast of North America.[citation needed]

Euphrates (including Narcy's vocals) provided the soundtrack to the film Voices of Iraq, also being featured in The Georgia Straight and Time.[4] Over the years, The Narcicyst has shared stages solo and with Euphrates opening for the likes of Talib Kweli, Kanye West, Non Phixion, Madlib, A-Trak, Brother Ali, DJ Vadim[5], Dead Prez and Afu Ra[6] to name a few.

A graduate in political science and communication studies, Narcy went on to get a masters degree in media studies focusing on the identity politics in Hip hop poetics, specifically encountering and dissecting the Arab American experience through his project thesis entitled Fear of An Arab Planet. Aside from music, he is a journalist, peace activist and advocate between Arabs and Jews.[citation needed] He currently resides in Montreal, Canada with his wife.

To win hearts and minds, get back in the game


http://experts.foreignpolicy.com/posts/2009/02/26/to_win_hearts_and_minds_get_back_in_the_game

To win hearts and minds, get back in the game
Posted By Richard G. Lugar Friday, February 27, 2009 - 12:36 AM Share 

When people the world over want to learn French, they typically go to the local Alliance Française, a French language and culture center run by the government of France. To explore Germany's rich culture and take some German classes, they might stop by one of the German government's Goethe-Instituts. But for English, where do they go? They usually head to an outpost of the British Council, not to a U.S.-sponsored cultural center. 

Why? Because nearly all of the popular "American Centers" that spanned the globe, attracting throngs of students and young people who immersed themselves in American publications and ideas, have been closed or drastically downsized and restructured thanks to policy decisions, security concerns, and budget constraints. The unintended result is that in the global contest for ideas, the United States is playing short-handed.

Winning that competition has been a top goal for U.S. policymakers since September 11, 2001, but it hasn't been easy. A recent poll in 21 countries showed that 43 percent of respondents had a negative view of the United States. Late last year, the U.S. Government Accountability Office listed "improving the U.S. image abroad" as one of the most urgent priorities facing the new Congress and administration. When publics feel unfriendly toward the United States, the seeds of anti-American extremism can more easily sprout. 

Reaching out to the man or woman on the streets of Jakarta or Caracas or Cairo is the practice of public diplomacy, and the United States does it in a number of ways, from the Peace Corps to the Voice of America to the Fulbright program. But the United States doesn't have a worldwide equivalent to what Britain and France have, namely, facilities in major world cities with libraries, reading rooms, outreach programs, unfiltered Internet access, film series, lectures, and English classes that enable people to meet with Americans of all walks of life and hold two-way conversations on issues of mutual interest. 

Not just America's friends, but America's opponents, too, are wielding this public diplomacy tool: Iran has spread a broad network of cultural centers, including many in the same Muslim countries that the United States is trying to reach. 

The old American Centers had a good record of success. They attracted young people as well as community leaders, journalists, and policy experts who were the opinion shapers and future leaders of their countries.

But after the Cold War, the United States prematurely declared victory in the battle for hearts and minds, terminating the U.S. Information Agency, which ran the centers, and cutting the State Department's public diplomacy budget. Many thought the Internet and global satellite TV would render irrelevant the people-to-people exchanges fostered by the centers.

Separately, U.S. diplomatic facilities overseas became more isolated. Following the 1998 bombings by Al Qaeda of two U.S. embassies in Africa that killed 12 Americans and more than 200 Tanzanians and Kenyans, the United States embarked upon a major construction program to build new embassies protected against terrorist attacks. Many embassies are now far from city centers and impose time-consuming security procedures upon all visitors. Additionally, most U.S. civilian employees are required to work within the embassy perimeter.

Those security upgrades were necessary, but the result has been less day-to-day interaction between U.S. diplomats and locals. Stripped-down outreach facilities, now called Information Resource Centers (IRCs), are often located within embassy compounds and open to the public by appointment only. State Department statistics show that IRCs within embassy walls in the Middle East received only one sixth as many visitors as those off-compound. Clearly, reaching a wider audience will require creative adjustments to the United States' security approach, keeping in mind that the safety of U.S. personnel must be paramount. 

The United States should not abandon this part of the public diplomacy field to others. Iran, for instance, has opened some 60 Iranian cultural centers in Asia, the Middle East, Africa, and Europe that offer Persian language courses and extensive library resources-and a platform for anti-American propaganda. 

As part of a broader overhaul of its public diplomacy effort, the United States should reinvigorate the old American Centers concept-putting, when possible, new ones that are safe but accessible in vibrant downtown areas-support active cultural programming, and resume the teaching of English by American or U.S.-trained teachers hired directly by embassies. That would help draw people to the centers and ensure that students got some American perspective along with their grammar. 

America's best players in public diplomacy have always been its people and its ideas. The United States should get them back into the game instead of standing on the sidelines. 

Richard G. Lugar is a U.S. senator representing Indiana.

what is Cultural Diplomacy


http://www.culturaldiplomacy.org/index.php?en_culturaldiplomacy

دربارۀ موسسۀ دیپلماسی فرهنگی

The Institute for Cultural Diplomacy (ICD) is an international, not-for-profit, non-governmental organisation based in Berlin. Founded in 1999 by Mark Donfried, its activities focus on promoting and developing the field of cultural diplomacy by conducting research, holding event series, and supporting forums for young leaders.

what is Cultural Diplomacy?

Cultural Diplomacy has existed as a practice for centuries. Explorers, travelers, teachers and artists can be all considered examples of informal ambassadors or early cultural diplomats. The establishment of regular trade routes enables a frequent exchange of information and cultural gifts between traders and government representatives.

Such deliberate efforts of cultural exchange can be identified as early examples of cultural diplomacy. Indeed, any person interacting with different cultures, in the past as today, facilitates an important form of cultural exchange.

A starting definition of culture is offered by the American political scientist and author, Milton C. Cummings, in his description of cultural diplomacy as:

“the exchange of ideas, information, values, systems, traditions, beliefs, and other aspects of culture, with the intention of fostering mutual understanding”.

This cultural exchange can take place in fields including art, sport, literature, music, science and the economy. Such exchange implies communication and respect between the cultures involved, based on a sounder understanding of respective values and a reduced susceptibility to stereotypes. The potential of such an improved knowledge is to enable improved interaction and cooperation.

Cultural diplomacy is the initiation or facilitation of such exchanges with an aim to yielding long-term benefits, whether they promote national interests, build relationships or enhance socio-cultural understanding.

The Unique Role of Cultural Diplomacy in International Relations
 
Two broad approaches to conducting international relations can be distinguished; that of ‘hard power’ and ‘soft power’.

The political scientist Joseph S. Nye has famously made the distinction between the two, describing ‘soft power’ as:

“the ability to persuade through culture, values and ideas, as opposed to ‘hard power’, which conquers or coerces through military might”.

Similarly, the British political think-tank Demos has qualified ‘hard power’ as the ‘ability to coerce’, and ‘soft power’ as ‘the means to attract and persuade’.

Whilst this ‘hard power’ approach has historically been a favored policy of Governments in conducting international and regional relations, the increasingly interconnected world stage highlights the need for co-operation on a new level. This is where cultural diplomacy as a form of ‘soft power’ becomes significant.

According to Demos:
“cultural exchange gives us the chance to appreciate points of commonality and, where there are differences, to understand the motivations and humanity that underlie them”.

On this basis, cultural diplomacy, as the initiation of this cultural exchange, is not secondary to political diplomacy, but rather functions as an intrinsic aspect of it.

Cultural diplomacy can therefore be seen as a vital foundation of all political activity.

The Uses of Cultural Diplomacy
Cultural Diplomacy can be employed in many ways and for various purposes:

The Public Sector:
By Governments or other politically motivated organizations for the promotion of national or regional interest; providing information regarding the country or region of origin, specifically its people and culture, the organization has a clear intent to promote its native values and culture.

Civil Society:
By non-governmental organizations and individuals, motivated by the opportunity to develop and encourage platforms for mutual cultural exchange. Their activity could take the form of cooperation through the sharing of valuable professional information and networks, for example in the context of academic exchanges, international forums and tourism.

The Private Sector:
By private companies interested in the development of intercultural communication. Global businesses are not only an important conduit through which cultural exchange takes place, but are also increasingly interested in intercultural communication and cross- cultural learning as a means of improving their own effectiveness and practices.

Examples of Cultural Diplomacy
Cultural diplomacy can be used in a number of forms, and with a range of different intentions, to help improve intercultural dialogue.

Whereas in the past state-sponsored cultural diplomacy has been associated with the intention to impose one way of life onto another, in recent times the focus has shifted dramatically. Within the context of state-sponsored cultural diplomacy, the common focus has moved from aggressive and imposing practices to a transparent and unselfish offering of culture. This can be seen for example in the so called 'Ping-Pong Diplomacy'; the exchange of ping-pong players between the US and China during the 1970s. Whilst there may have been economic and political advantages for the USA, the initiative was conducted in a transparent manner and was beneficial to both countries.

Nevertheless, in examples of state-sponsored cultural diplomacy programs there is a relatively clear intention. Each source nation is interested in the relaying of information regarding its values and way of life, with a view to fostering sympathy or acceptance thereof. The result is better economic or political connections with other countries. National culture is thus utilized for the ultimate intention of promoting that nation's standing on an international stage.

The practices of independent or semi- independent institutions of cultural diplomacy, such as the British Council and the Goethe Institute, offer prime examples of the modern informative and exchange - based approach to national cultural diplomacy strategies. This type of exchange is on a considerably larger scale than individual exchange programs, and facilitates the mobility of individuals from both the cultural and academic sectors. Prime examples of this are the Erasmus/Socrates program or bilateral artist-exchange programs.

The initiatives of independent organizations such as those by the New York Philharmonic Orchestra travelling to North Korea have further demonstrated the potential of cultural diplomacy to transcend national borders and enable mutually beneficial cross-cultural exchanges.

For the individual artists, academics or professionals involved in these direct exchanges of culture, their motivation is the opportunity to show their work and abilities and to learn about the other. The motivation is purely personal, without necessarily any political or economic goal.

Corporations and businesses, through the constantly evolving field of Corporate Social Responsibility and Socially Responsible Investing, are developing many initiatives that assist in strengthening the dialogue, understanding and trust between nations and cultures. Indeed, companies are increasingly important as a channel of cultural exchange. On any occasion that an individual is sent abroad to work in a foreign office, they have the potential to act as an unofficial cultural diplomat, and in the context of international conferences can even be accepted as 'official' representatives of their country of origin, especially with regards to corporate culture and standard working practices.

Private sector foundations operate in an ever increasing number of countries and regions around the globe. In many cases they are funded and owned by private sector firms, but, at least officially, work independently of them for non-commercial purposes. By supporting projects and events in local communities in both domestic and international contexts, they offer another means of contact between different cultures, and by definition therefore are important agents of cultural exchange.

Cultural diplomacy can be used by different groups for different purposes. As demonstrated above, this can be by governments for a distinct political purpose, by academic institutions for the purpose of developing a greater knowledge base through academic exchange, or by independent organizations for the sole benefit of demonstrating their work and ideas to a new audience.

In addition, in an increasingly globalised international environment, companies and foundations are becoming ever more central as forums of international dialogue and cooperation. Although by diverse methods and with different motivations, all of these examples ensure that cultural diplomacy, as defined by M. C. Cummings, takes place.

Cultural diplomacy has acted as a peace keeping force in a number of situations throughout history. With increased social exchange and the platforms in place to promote it, the future potential for cultural diplomacy to improve mutual understanding on all levels is highly significant.
 

متحان میان ترم درس تمدن اسلامی

منبع امتحان میان ترم درس تمدن اسلامی

http://rezadaneshmandi.blogfa.com/cat-3.aspx?p=4

دانشجویان و هویت سرگردان

http://www.khabaronline.ir/news-103226.aspx

زمان انتشار: سه شنبه 4 آبان 1389 - 

دانشجویان و هویت سرگردان 
وبلاگ > گلزاری، محمود - استاد اجازه نداد دانشجو روی صندلی خود بنشیند و با دست در خروجی سالن را نشانش داد.


 دختر جوان با ناراحتی گفت: استاد می‌دانم اشتباه کرده‌ام اما اگر اجازه بدهید از امتحان محروم نشوم. جبران آن برایم دشوار است. استاد با عصبانیت پاسخ داد: این چه ریخت و لباسی است مگر اینجا دیسکو یا پارتی شبانه است؟ و دختر با گریه از سالن بیرون رفت.

خانم محمدی، چند سال پیش این خاطره را در جمع دوستانه و صمیمی دانشجویان ایرانی- که در یکی از شهرهای جنوب ایتالیا درس می‌خواندند- برایم تعریف کرد و ادامه داد: شاید بعضی دختران و پسران غربی، بیرون از محیط دانشگاه با هر نوع پوشش و آرایشی رفتارهای خلاف عرف انجام می‌دهند اما در دانشگاه درس را جدی می‌گیرند و به راستی «هویت دانشجویی» دارند. هویت یعنی پاسخ دادن همزمان به دو پرسش ساده اما مهم: من کیسیتم؟ و من کی نیستم؟ برای مثال در بحث‌ هویت جنسی، وقتی یک پسر می‌گوید: من پسرم و دختر نیستم. انتظاراتی را که خود و دیگران از او دارند مشخص می‌کند و می‌پذیرد که مطابق آن انتظارات رفتار کند. تنها ظاهر جسمی و لباس او نیست که پسرانه است... بلکه بازی‌هایش، فعالیت‌هایش و انتخاب‌هایش نیز تا حد زیادی غیرزنانه است. 

اگر برای خودمان هویت مسلمان ایرانی قائل باشیم، در پاسخ به پرسش من کیستم در کلام و عمل نشان می‌دهیم که به زبان فارسی- که همچون شکر است- صحبت می‌کنیم. فردوسی، حافظ، سعدی، مولوی و نظامی را می‌شناسیم و سروده‌هایی از آنان را حفظ داریم. به پیشینه فرهنگ غنی خود آشاییم و به آن عشق می‌ورزیم. مسلمانیم اما مسلمان ایرانی، نه مسلمان عرب و آفریقایی و اروپایی، شیعه‌ایم اما نه شیعه لبنان و افغانی و یمنی. هم آن ویژگی‌های ملی و دینی را داریم و هم این خصوصیات غیرایرانیان و غیرمسلمانان را نداریم.

سردرگمی هویت آنجاست که نه زنگی باشیم و نه رومی... یا ادای غربی‌ها را دربیاوریم و اسامی خارجی را به زبان جاری سازیم و فرم مو و لباسمان را از شوهای آن طرف آب بگیریم و یا فکر کنیم در جزیره‌العرب صدر اسلام هستیم و در کارهای معمولی و مباح، همچون مسلمانان قرون قبل عمل کنیم!

دانشگاه‌های ما که اینک نزدیک به چهار میلیون جوان را در خود جای داده‌اند زمانی می‌توانند در سرنوشت کشور موثر باشند که دانشجویانمان هویت دانشجویی داشته باشند. وقتی کسی پای به دانشگاه می‌گذارد، از دوران نوجوانی و نقش دانش‌آموزی خود خارج می‌شود. کلام او، رفتار او و نوع سرگرمی‌ها، مطالعات، انتخاب‌ها و هدف‌گیری‌هایش باید تغییر یابد. دیگر در اینترنت به دنبال بازی‌های رایانه‌ای، چت کردن و سر به این سامانه و آن سامانه غیراخلاقی زدن نباشد... دانشجو باید به جست‌وجوی مقاله‌های علمی بپردازد و از پیشرفت‌های جهانی در رشته خود باخبر شود.

دانشجو، نوجوانی نیست که ساعت‌ها در پارک‌های دور و نزدیک محل تحصیل خود پرسه بزند یا در حیاط و راهروهای دانشکده سرگردان به این و آن نگاه کند و کتابخانه را در حسرت دیدار خود بگذارد! دانشجو نسبت به سرنوشت کشورش بی‌توجه نیست. او نبض تند حیات اجتماعی و سیاسی جامعه است... تحولات ایران و جهان را از نظر دور نمی‌دارد و بدون وابستگی کورکورانه به این گروه و آن گروه به نقد برنامه‌های دولتمردان می‌پردازد. او در دوران طلایی و سرنوشت‌ساز زندگی خود، با افراد جنس متفاوت یا با رعایت مرزهای اخلاقی و عاطفی، همکاری علمی می‌کند و یا با متانت و پختگی به ازدواج و نه هوسرانی و فریب می‌اندیشد.

دانشجو برای آزموده شدن در رویدادهای زندگی به استقبال حادثه‌ها می‌رود و با پیش گرفتن روش‌های حل مسئله، مشکلات خود را رفع می‌کند. نه اینکه با دیدن اندک ناملایمتی از دوست و استاد و خانواده‌اش به سیاهی‌های افسردگی و اعتیاد روی می‌آورد و یا بدترین و بزدلانه‌ترین راه یعنی خودکشی را برمی‌گزیند.

دانشجو، هم سلامت، شادابی و سرزندگی دوره جوانی را دارد و هم خردمندی و استقلال فرزانگی را.

متاسفانه در شرایط کنونی، با چنین آرمان زیبا و سازنده‌ای بسیار فاصله داریم. بسیاری از این علم‌آموزان، نه جوان، بلکه نوجوانان قد کشیده‌ای هستند با همان شکنندگی و رویاپردازی‌ها و شمار فراوانی از دانشجویان، دانش‌آموزانی هستند با همان روحیه حفظ کردن درس‌ها و خود را از تلاش و سختکوشی علمی برکنار داشتن!

چندان بی‌انصاف هم نباشیم آیا تربیت خانوادگی ما، نظام آموزش مدرسه‌ای ما و سیستم نابسامان و بی‌برنامه آموزش عالی ما سهمی در بحران هویت دانشجویان ندارند؟